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Nevertheless, the protracted episode almost certainly had a permanent impact on Campion. Thomas Campion died on 1 March , at age fifty-two. He was buried on the day of his death at St. Dunstan's-in-the-West, Fleet Street.


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He had never married, and although he had carved an important place for himself in the musical and literary world of James's court, he cannot be said to have been a success, at least not by late-twentieth-century standards. With six collections of songs in print, three masques presented at court and their descriptions published, and an apparently adequate midlife career as a physician, Campion was able to leave only twenty-three pounds to his longtime friend and collaborator, Philip Rosseter.

There is no record of any more musical or English literary work after , and as noted above, the collection of Latin verse contains considerable reprinting of the collection.

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Even though the outcome of the Monson-Overbury scandal was positive for Campion and his friend Monson, it seems likely that these events prompted his withdrawal from the glittering world of courtly flattery and intrigue. Throughout his career and for some years after his death, Campion's poetry appeared regularly in manuscript commonplace books, both literary and musical. These books document another kind of fame than the poet's movement in the court's entertainment world, showing instead a broad appeal in those literary circles where poetry was read and admired. Campion's poems appear in these household collections beginning in the early s and continuing sporadically throughout the seventeenth century.

In assessing Campion's unique contribution to the musical lyric of his day, it is also useful to recognize that his poems were frequently chosen by other composers as texts for their songs. In the nondramatic literature of the late Renaissance, Campion's contribution holds an ambiguous position. He was neglected for almost two hundred years, but in the late s he was rediscovered by A. Bullen, who published the first collected edition and started a resurgence of interest and admiration that would include T.

Eliot and Ezra Pound. Auden , and Robert Creeley. Campion has been called a poet of the ear, and his careful respect for the nature of the language and its capacities for pleasing intonation was a significant development.

Yet although his poems continue to be anthologized, they represent a refinement of the sixteenth-century lyric rather than a departure and did not offer as much to a new generation as, say, John Donne 's bold innovations did. For the literary historian, then, his poems remain beautiful miniatures, revered for their intrinsic worth more than for their significance. In current critical debates, Campion's art is on the fringes. The gentle sarcasm of the more epigrammatic lyrics offers some pictures of the age, and some such as "Though You Are Young and I Am Old" present themselves as timeless aphorisms.

But the important formal properties of his style are of little interest to cultural criticism. Prose Home Harriet Blog.


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  • Visit Home Events Exhibitions Library. Newsletter Subscribe Give. Poetry Foundation. Back to Previous. Thomas Campion. Poems by Thomas Campion. More About this Poet. Poems by This Poet Bibliography. Appeared in Poetry Magazine. Follow Thy Fair Sun. Follow Your Saint. I Care Not for These Ladies. Kind Are Her Answers. My Sweetest Lesbia. Never Love Unless. Now Winter Nights Enlarge.

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    Rose-Cheeked Laura. Thrice Toss These Oaken Ashes. Vobiscum Est Iope. When to Her Lute Corinna Sings. Show More. Books Thomae Campiani Poemata. Ad Thamesin. Fragmentum Umbra. Liber Elegiarum. Liber Epigrammatum London: R. Field, Field for A. Wise, Windet for J. Brown, Snodham for J.

    Hardback Editions

    In Two Books The Third Edition Enlarged. With Annotations thereon by Mr. Simpson , by John Playford London, Stansby for J. Budge, Two Bookes of Ayres. Snodham for M. Browne, circa In Accidentally Like a Martyr, readers will discover a complicated personality who was at once the consummate gentleman and a raging monster; a tender composer and growling rocker; an impeccably dressed, well-read, witty conversationalist who could fly into unwarranted rages and disappear for days on wildly absurd benders.

    He is the paranoid countenance of fear erupting from a generous, humorous soul. To get beyond the songs to the man who lived and penned them, Campion has included discussions with key players in the Warren Zevon story. These are the people who knew him best, who called him family, friend, and colleague, and those who call him simply an inspiration. James Campion, a syndicated columnist and contributing editor for the pop culture magazine, the Aquarian Weekly , lives in the mountains of New Jersey with his wife and daughter.

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    Its story lies in the heart of his - and our - psyche. Campion was implicated because, as Monson's friend and physician, he unwittingly transported the money for the sale of the office from Elwes to Monson. Carr and Frances were eventually convicted of the crime and imprisoned in the Tower of London until ; Elwes and two other accomplices were hanged.

    Monson and Campion were both acquitted, having persuaded the justices that neither of them knew of the plot to poison Overbury, although Monson was confined to the Tower from October until February while the case was being investigated. Campion, as Monson's physician, was allowed to visit him under the supervision of the new lieutenant.


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    • The dedication for The Third and Fourth Book of Ayres , addressed to Monson, refers to Monson's having finally gained his freedom, and the tone of the poem is celebratory. Nevertheless, the protracted episode almost certainly had a permanent impact on Campion. Thomas Campion died on 1 March , at age fifty-two. He was buried on the day of his death at St.

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      Dunstan's-in-the-West, Fleet Street. He had never married, and although he had carved an important place for himself in the musical and literary world of James's court, he cannot be said to have been a success, at least not by late-twentieth-century standards. With six collections of songs in print, three masques presented at court and their descriptions published, and an apparently adequate midlife career as a physician, Campion was able to leave only twenty-three pounds to his longtime friend and collaborator, Philip Rosseter. There is no record of any more musical or English literary work after , and as noted above, the collection of Latin verse contains considerable reprinting of the collection.

      Even though the outcome of the Monson-Overbury scandal was positive for Campion and his friend Monson, it seems likely that these events prompted his withdrawal from the glittering world of courtly flattery and intrigue.

      What they offer

      Throughout his career and for some years after his death, Campion's poetry appeared regularly in manuscript commonplace books, both literary and musical. These books document another kind of fame than the poet's movement in the court's entertainment world, showing instead a broad appeal in those literary circles where poetry was read and admired. Campion's poems appear in these household collections beginning in the early s and continuing sporadically throughout the seventeenth century. In assessing Campion's unique contribution to the musical lyric of his day, it is also useful to recognize that his poems were frequently chosen by other composers as texts for their songs.